THE BLIND BOYS OF ALABAMA

Wednesday 18 April 2018 2018

GOSPEL LEGENDS

Hailed as “gospel titans” by Rolling Stone, the Blind Boys of Alabama first rose to fame in the segregated south with their thrilling vocal harmonies and roof-raising live show. They released their debut single, “I Can See Everybody’s Mother But Mine,” on the iconic Veejay label in 1948, launching a 70-year recording career that would see them rack up five GRAMMY Awards including one Lifetime Achievement Award, enter the Gospel Music Hall of Fame, collaborate with everyone from Mavis Staples and Stevie Wonder to Prince and Lou Reed, and perform on the world’s most prestigious stages. It would be difficult to overstate the Blind Boys’ influence on their contemporaries and the generations that came after.

 

archive
  • Grote Zaal
  • 19:30
  • 20:30
Newsletter

Praised by NPR as “pioneers,” the group has transcended barriers of race and genre to become one of the most acclaimed and celebrated groups in modern music. From the Alabama Institute for the Negro Blind, where the original members met as children, all the way to The White House – where they’ve performed for three different presidents – the band’s story is, in many ways, America’s story, and that story is at the heart of their emotional new album, ‘Almost Home.’

The album grew out of the recognition that the band’s original line-up is down to just two remaining survivors: long-time group leader Clarence Fountain and current leader Jimmy Carter. Recorded over four different sessions helmed by four different GRAMMY-winning producers in four different cities, ‘Almost Home’ recounts the band’s remarkable journey, primarily through original songs written for them by an outstanding collection of artists including Valerie June, the North Mississippi Allstars, Phil Cook, John Leventhal, Marc Cohn, and Ruthie Foster among others.

“ Almost Home celebrates their home-going by returning to their roots, with the most front-to-back gospel album they’ve recorded in years. “

Paste magazine